The advantage of these tops is that they suit almost any body type.Īlia Bhatt in a cute orange cold-shoulder top Camouflage FashionĪnushka Sharma goes the Camo way! Floor-Sweeping Gowns The Cold-shoulder/Off-shoulder trend has really shown some staying power in the fashion world. This trend was undoubtedly the hottest fashion trend of 2017. Sona is a true boho chic! Cold-Shoulder Tops Some of the Bollywood celebrities like Sonakshi Sinha swears by the Boho trend. When you can’t decide what to show, go Boho!Ģ017 saw the old-gold Bohemian style being swapped with sharp, structured outfits. Katrina Kaif in a hot pink floral longline shrug Boho Chic Fashion It looks truly hot when it’s also seen as a form of street fashion. Spring/Summer runways were ablaze with this trend. Summer 2017 had longline shrugs as a hot fashion statement as it is a comfortable yet chic when wore. While some of the fashion trends were cringeworthy, let’s look through 2017’s top fashion trends that we saw celebrities wear, bloggers win over Instagram with and ones that we included in our everyday OOTDs. With every new year, comes the flood of new fashion trends from which some succeed to set a wardrobe ablaze and some blow away.įrom the pretty cold-shoulder tops to camouflage fashion, the year 2017 was full of wild and wacky fashion. You’d never get that in a runway show, indeed.Follow us on Models donning with cold-shoulder tops on runway It was, ironically, shot around the corner from the McQueen HQ in a glass box in London’s Clerkenwell, taking advantage of the city’s unseasonably clement June weather to stand in for the subcontinent. Hetta’s handsome lookbook images themselves, meanwhile, express the sweltering, sun-bleached feel of an air-con-free Mumbai 50-odd years ago, shimmering with a mirage-like haze. Even when crushed velvets turned a rich turmeric, Hughes couldn’t help but remark they’d strayed into “Keith Richards territory.” The Raj may have influenced a maharani’s ransom of paste jewels, for instance, but they wound up hung off variations on last season’s wince-worthy facial jewelry-clip-on, rather than actually piercing the cheeks of the models, but nevertheless distinctly punk in feel. Indeed, despite the roaming of influence, the results come right back to London. Fish-for all his peculiarity-were British through and through, much like McQueen itself. Fish, the choice psychedelic ’60s suit-maker, alongside flamboyant embroidered frock coats, ruffled shifts, and dandyish silk roll-necks based on vintage Turnbull & Asser styles. So the suits were sharply cut, in crunchy paisley brocade with a hint of Mr. Hughes elaborated on a story line: “A ’60s guy, in London, going off traveling and immersing himself in imperial India,” he said. See also Model Evan Benham in a photography captured by Wander Aguiar. But it also referenced a rich seam of classic English tailoring, of braid-bedecked military suiting and frogged officer’s mess dress that is so important to the 21st-century survival of Savile Row, where a young Lee McQueen first learned his trade. Apparently, alongside the decorated pieces, McQueen’s kicks are the first thing to sell out when they hit stores. There was a sense of familiarity about this collection-for one thing, it continued in the same vein as McQueen’s Fall menswear offering, swinging from street to ceremony and offering sharp tailoring for day and plenty of exuberantly decorated eveningwear, teamed with white sneakers for a contemporary feel. In this collection, those details included the intentional curling edge of the gold embroideries embellishing sweaters and jackets, inspired by the notion of archive clothes crumpled and distressed with age, a revival of old wardrobe favorites. And McQueen’s menswear bears closer scrutiny, as inspection often surrenders hidden details that the runway can swamp. It made a pertinent argument for alternatives to catwalk showcases-one that felt timely, given the current fusing of men’s and women’s runway presentations from many of the brand’s contemporaries (FYI-McQueen reps say the label will be back showing for Fall 2017). You also wouldn’t get that level of interaction, with the designers nor with the clothes themselves. “You wouldn’t get them from a show,” said Harley Hughes, McQueen’s head of menswear design, of Hetta’s painterly images. With creative director Sarah Burton still away on maternity leave after the birth of her third child, the Alexander McQueen label stepped back from the runway to present its latest menswear collection via a series of intimate appointments and a sequence of atmospheric images photographed by Julia Hetta.
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